Hello everyone and welcome back to The Boss Book Club!
Today marks Day Four of our Five Day Blogging Bonanza to mark the return of TBBC. Today we will be having a look at Haruki Murakami’s Kafka on the Shore. The novel by one of Japan’s greatest living authors was written in 2002.
This novel follows the story of a 15- year old boy named Kafka, who is running away from home. Mature beyond his years, Kafka trains himself physically and mentally to be strong enough to survive on his own, and sets out with no clear plan, travelling by bus across Japan. An avid reader, he comes across the Komura Memorial Library and makes friends with the enigmatic librarian Oshima and the beautiful Miss Saeki.
On the other side of things is an old man named Nakata. Due to a mysterious illness when he was younger he has a low IQ and therefore simple way of living, and he can talk to cats. He embarks on a journey, assisted by a trucker named Hoshino who he meets along the way. What exactly that journey is, not even they are certain of, but it includes finding an important stone, and sealing an entranceway.
The story of these characters intertwine in such a way that blurs the naturalistic, realistic elements of life: ie a boy running away from home and an old man making his way across the country, with the bizarre, surreal and dreamlike qualities- including accessing the other side- whether that’s the other side meaning death, an alternate world, or an alternate state of mind is up to the reader to decipher. This book journeys firmly into the weird, and contains one graphic, violent scene that made me feel a little ill to be honest. However, apart from this one scene, the book is nonviolent. Murakami always includes a lot of the everyday things in life- a lot of descriptions of cooking meals, doing laundry and attending day to day activities, and then before you know it there’s a violent, bizarre or sexually explicit scene put in there and then it’s straight back to ironing shirts again. You would think this would be jarring or uncomfortable to read, but Murukami’s writing is so well done, and the pacing so perfect, that it poses no problem.
Of all his books so far, this contains the most definite plot and story arc, and would serve as a great introduction to Murakami if you prefer a structured story. This book, as with all Murakami’s novels, lends itself to multiple re-readings, as its rich in symbolism and hidden meanings.
Murakami has become one of my favourite authors, and if you’re willing to walk on the weird side, you will find his novels a truly rewarding experience. I enjoyed this book so much that I read A Wild Sheep Chase (by the same author) immediately afterwards.
Please join us for the review of A Wild Sheep Chase tomorrow.
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