Kafka on the Shore

Hello everyone and welcome back to The Boss Book Club!

 

Today marks Day Four of our Five Day Blogging Bonanza to mark the return of TBBC. Today we will be having a look at Haruki Murakami’s Kafka on the Shore. The novel by one of Japan’s greatest living authors was written in 2002.

 

This novel follows the story of a 15- year old boy named Kafka, who is running away from home. Mature beyond his years, Kafka trains himself physically and mentally to be strong enough to survive on his own, and sets out with no clear plan, travelling by bus across Japan. An avid reader, he comes across the Komura Memorial Library and makes friends with the enigmatic librarian Oshima and the beautiful Miss Saeki.

 

On the other side of things is an old man named Nakata. Due to a mysterious illness when he was younger he has a low IQ and therefore simple way of living, and he can talk to cats. He embarks on a journey, assisted by a trucker named Hoshino who he meets along the way. What exactly that journey is, not even they are certain of, but it includes finding an important stone, and sealing an entranceway.

 

The story of these characters intertwine in such a way that blurs the naturalistic, realistic elements of life: ie a boy running away from home and an old man making his way across the country, with the bizarre, surreal and dreamlike qualities- including accessing the other side- whether that’s the other side meaning death, an alternate world, or an alternate state of mind is up to the reader to decipher. This book journeys firmly into the weird, and contains one graphic, violent scene that made me feel a little ill to be honest. However, apart from this one scene, the book is nonviolent. Murakami always includes a lot of the everyday things in life- a lot of descriptions of cooking meals, doing laundry and attending day to day activities, and then before you know it there’s a violent, bizarre or sexually explicit scene put in there and then it’s straight back to ironing shirts again. You would think this would be jarring or uncomfortable to read, but Murukami’s writing is so well done, and the pacing so perfect, that it poses no problem.

 

Of all his books so far, this contains the most definite plot and story arc, and would serve as a great introduction to Murakami if you prefer a structured story. This book, as with all Murakami’s novels, lends itself to multiple re-readings, as its rich in symbolism and hidden meanings.

 

Murakami has become one of my favourite authors, and if you’re willing to walk on the weird side, you will find his novels a truly rewarding experience. I enjoyed this book so much that I read A Wild Sheep Chase (by the same author) immediately afterwards.

 

Please join us for the review of A Wild Sheep Chase tomorrow.

 

Thanks for joining us at The Boss Book Club!

 

 

 

 

 

Norwegian Wood by Haruki Murakami

Hello Everyone and Welcome back to the Boss Book Club!

Today we will be looking at Norwegian Wood, a novel by Japanese author Haruki Murakami, first published in 1987.

After reading (and reviewing!) Murakami’s recent English releases of Pinball, 1973 and Hear the Wind Sing I was itching to read more from this author, as the unique, laid back writing style provided one of the most relaxing and enjoyable reading experiences I’ve ever had. This story did not disappoint, and for those yet to give him a try, Murakami may be one of the best authors you try all year. Norwegian Wood is the novel that pushed him into mainstream fame in Japan, so may be the perfect one to start with.

The story is told in first person viewpoint from our lead character Toru Watanabe. It is 1969 and he is studying at a University in Tokyo. The book provides a casual picture of what student life was like in Japan in the 60s. The story details Toru’s daily student life and his friendships at University. However, Toru is a solitary, somewhat lonely character so it often details how he spends his day, occupying himself with books, music (including the Beatles of course!) and cafes.

There is more of a plot shape in this book compared to Pinball, 1973 which gives the book a nice direction and will make this book more appealing to those who appreciate a destination. Plot is not the point in this book however. It is more focused on the relationships between the characters, and what our lead character is contemplating in his daily life.

The central character of Toru doesn’t read like a character at all, it certainly seems like the author is just writing about his life in the 60s. It is so casually written you feel like you’re walking alongside Toru through Tokyo and spending a University year alongside him.

The book centers around Toru reflecting on his first love, an emotionally troubled woman named Naoko, and the connection they share over the suicide of a mutual friend from their high school years. Also in Toru’s life is a new friendship with a girl named Midori- hip, free thinking and spontaneous, who shares his lectures. The book centers around themes of friendship, love, sexuality, grief, suicide, loneliness and ultimately, the nature of human connection.

Where Murukami really shines is the emotional depth with which he writes. He writes with an emotional intelligence that is truly special, and casually incorporates the seasons, the five senses, memories, thoughts and music all into a picture that seems to require no work at all.

Don’t expect big dramatic moments, expect deep ones and enjoy the journey.

 

5 out of 5 stars- give Murukami a try!

 

Thanks for joining us and Happy Reading!

The Boss Book Club